This place from FPMT was well worth the modest investment. I found these teachings most honorable and gripping with fresh treasures discovered with each watching. Comments by Richard Gere and Keanu Reeves were proper observations and insights reflecting their hold explore and meditation and added to the teachings. I am composed very noteworthy a beginner in Buddhism but, through some years of self-study, had gathered a few disconnected puzzle pieces regarding the Buddha’s teachings on things like suffering, attachment, compassion, how my mind works, emptiness, etc. But I was having distress fitting together what I had learned into a whole and with how to come from stare to practice. I fair couldn’t glimpse the forest for being lost in the trees. These teachings came at unbiased the apt time and helped me commence to fit many of those personal puzzle pieces together as well as adding insights on crucial missing ones. The teaching sequence parallels the Lam-Rim graded-path systematic come attributed to Atisha and Lama Tsong Khapa. The topics covered include straight talk on tough subjects like death & rebirth, karma, samsara & nirvana, emptiness, bodhicitta, and how to transform our problems into a lighted path to our enlightenment. Watching the DVDs also has propelled me to embark on further home-study with Discovering Buddhism at Home, a 14-part ogle and meditation course from the FPMT Foundation Store. I accumulate these DVD teachings by leading lamas and monastics, including His Holiness, the Dalai Lama, to be a most precious collection that I will surely scrutinize again and again. I highly recommend the place as primary to anyone alive to in studying Buddhism.
I have owned this 2 disc DVD plot for several years. Because I have been traveling a lot, I found it difficult to pick up grand Buddhist teachers. This series allows me to always have gigantic teachers to recall with me. Whether I was snow plug in Michigan or in a remote set in Modern Mexico, I could pop one of the DVD’s into my laptop and hear a mighty teaching. I have watched each episode many times and I composed learn something recent. Also, the quality of the production is very high. This DVD location has been invaluable to me as a constant resource of one of the most profound subjects.
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It is very suitable to the storyline, which is something I really appreciated! This movie is more advantageous to those who appreciate Jane Austen’s Fanny Impress honest the procedure she is, which, is a very morally accurate person, who will not be persuaded against her better judgement. This record proves that simply because a person comes from a wealthy background, they dress upright, they pronounce correctly, and they inspect beneficial, this does not manufacture them a virtuous and fair individual. Some people will not like this movie based on the fact that it does not appeal visually. Please survey beyond the fact that the actors are not glamorous. This is a stout movie and should be placed in it’s rightful situation next to Pride and Prejudice, Emma, Sense and Sensibility, and Persuasion. The actors choose the qualities that Jane Austen created for her characters. This movie is for the fan of everything Jane Austen.
This version of Mansfield Park is worth 5 stars to me, but it will not appeal to everyone. For it is not a glossy big-screen-adaption which trades Jane Austen’s genius for something else. I saw it on television during a Jane Austen marathon about 5 years ago, and have been hoping to bag this video ever since. At first I was not impressed, but I kept watching it because I am such a Jane Austen fan. Gradually I became crooked. All the actors looked so precise. The actress who plays Fanny Notice is especially absorbing. She is not movie star radiant, but she has the eyes and complexion of a nineteeth century doll. She uses her looks to describe the Fanny I imagined; the Fanny who is the antithesis of Elizabeth Bennet. On the other hand, the actress who plays Mary Crawford is ravishing but her looks are almost noxious by the abominable (yet historically correct) wig she is made to wear. More importantly, her Mary Crawford is moral to Austen, and with my new sensibilities, I liked her very worthy. The other actors are also adept. I am very remarkable looking forward to owning this video. I know I will seek it again and again, fair as I read the book again and again.
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“The Repulsive Truth” represents something I never concept I’d see: A romantic comedy that both women and men will relish. Granted, it probably won’t be for the same reasons. Women will like it because underneath it all, it’s a fairly typical romantic comedy, the legend of Girl Hates Boy, Boy Hates Girl, Boy and Girl Tumble in Admire Anyway. Men will like it because one of the main characters expresses worthy of what they believe and feel on a daily basis. Everyone will like it because the chronicle is bewitching and the characters are not mere cardboard caricatures. You can actually invest in them, and you’re able to care about what’s going on. What could easily have been a routine date night movie is instead a surprisingly well-behaved movie that need not wait until date night. It’s also genuinely funny–a bit raunchy, yes, but droll objective the same.
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Much of the film’s success is due to the astounding onscreen chemistry between Katherine Heigl and Gerard Butler. They continuously produce us laugh, yet the comedy is not so huge that you can’t hold them in their roles. They build a point of interacting with one another, not as amusing relief but as loyal people. Heigl plays Abby Richter, the romantically challenged, neurotic, controlling producer of a failing Sacramento morning talk point to. Butler plays Mike Chadaway, the chauvinistic host of a public access relationship program called “The Repulsive Truth.” He’s unapologetically tell-it-like-it-is in matters of men and women. There’s no such thing, he claims, as a sensitive, nurturing man who wants to connect at an emotional level. Men impartial want sex, dumb and simple. And they only want it with glorious women.
Abby, who thinks Mike’s rhetoric is appalling, is afraid when she learns that he has been hired to her state in an concern to boost ratings. They clash at every turn … until he learns that she’s enthusiastic in dating her next door neighbor–an orthopedic surgeon named Colin (Eric Winter) who unprejudiced happens to be incredibly splendid. Sensing she’s doing everything wicked to start a relationship, Mike offers to encourage Abby by having her test his relationships theories on Colin. She reluctantly agrees, and clear enough, Mike’s methods work wonders. She dresses more provocatively. She learns to discontinuance being necessary and avoid discussing her personal problems. She learns to be the embodiment of both the saint and the sinner, or as Mike puts it, “The librarian and the stripper.”
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And that’s when things initiate to salvage more complex. Abby is succeeding with Colin, but only at the expense of not being herself. On the other hand, could anyone fancy her as herself? She is, after all, known for bringing background checks and printed topics of conversation to blind dates. As for Mike, he has very determined reasons for believing that loving relationships are a sham. They’re gradually revealed not only through carefully structured scenes, but also through Butler, who shows he can get the moral balance between smug and sensitive. We perceive that Mike is the closest thing his young nephew has for a father, and even though he playfully gives the boy relationship advice, he’s also fleet to remind him that kids should never, ever examine his indicate.
Heigl also manages a balancing act with her performance, specifically between strength and vulnerability. Abby overachieves at work to compensate for a lack of a like life, which initially seems laughable but steadily grows desperate. For reasons she doesn’t care to admit to, she’s falling in fancy with Mike, and he too is falling in fancy with her. But what about Colin? Is he with Abby only because of the façade Mike told her to do up? There’s a scene between her and Colin slack in the film that directly addresses this vow, and to my delight, it’s handled in a plot that avoids unprejudiced about everything that would happen in the average romantic comedy. There are no shouting matches. There are no flying fists. There are no confrontations. There’s only a composed moment of realization that the truth is indeed terrifying.
Scenes like these are wonderfully juxtaposed with moments of well written comedy. There are some very comic moments between Cheryl Hines and John Michael Higgins as unhappily married news anchors who allotment the same desk and time slot. The film’s single funniest scene takes situation in a restaurant and involves Abby, an extremely stimulating pair of underwear, and a control way that ends up in the contaminated hands.
I can say with complete honesty (and some embarrassment) that I wasn’t expecting such a strong film. I certainly wasn’t expecting a strong film belonging to this particular genre. What floors me is that two of the three writers of this film are Karen McCullah Lutz and Kirsten Smith. There are the same two that brought us “The House Bunny,” one of the worst films of 2008. They certainly got it accurate this time around. “The Shocking Truth” is one of the best romantic comedies I’ve seen in a long time, a exquisite and provocative fable about the fronts people explain. It’s comical without lowering itself to the level of cheap gags, and this is in spite of the film’s well-deserved R rating. Heigl and Butler convincingly pull off a romance, no tiny feat given the contrived nature of these kinds of films. At last, a date movie both the man and the woman can devour.
this is a very raunchy good to the point film which is extremely hilarious as long as you have a very originate mind and are not at all prudish. gerry and katherine play off each other with tall ease and are very comfortable in this very comic sex comedy about how men really believe about sex and relationships according to mike,gerrys character, against kathys character, who is a very uptight broken-down chick. the film is all about their inevitable clashes against their varied opinions on this topic and how they survive working together on a early morning chat reveal. i thoroughly recommend this film for an extremely comedic time for both men and women. it is not your usual chick flick and most people will be able to connect with this film and its morales, even though they might not want to admit it.
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CNN’s DVD “America Remembers” is without a doubt the best document produced thus far on the events of September 11th, 2001. There should be copies in every school library across the country to remember the events of this day in the United States.
The memoir begins, of course, in the CNN newsroom and the first airline smash in the north tower of the World Trade Center. The rest of the DVD is an amazing and very detailed timeline regarding the other plane crashes (in NYC, Pennsylvania and Washington D.C.), the collapse of the World Trade Center towers, the evacuation of various buildings in D.C., President Bush’s anecdote on that day, the days following 9/11 including the president’s speeches, the buildup to war in Afghanistan in subsequent months, and even the threat of Anthrax in the United States.
If you must eye this fable again, especially on the anniversary of 9/11, it might as well be thorough and factual. This is the production to peruse.
This DVD is a must! It recounts not only the poor events of Sept. 11 via fabulous, knowing footage rarely seen before, but also covers the events of the subsequent year and America’s response to terrorism. It includes footage of the President’s response to the news on that day as well as his plod across America, the war in Kabul and the search for bin Laden, the anthrax alarm, it even has a bonus feature: The now-famous speech given by President Bush in front of Congress, completely unedited and in astonishing video quality. The footage is unequalled throughout and puts the viewer legal in the middle of the action. Various interviews with key CNN anchors and personnel add a nice touch and presents many of the familiar faces that we peer on the news in a very personal and emotional context. Sadly, people tend to forget what is not continually in front of their eyes. I judge every American should prefer videos like these so that we truly may ‘NEVER FORGET’ what happened on American soil that day. Respectful, tastefully presented, an outstanding presentation.
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I read somewhere that the overwelmingly red peep of American Beauty is a symbol for blood and roses. Represented in the film by the flower petals in Lester Burnham’s fantasies, and the blood spilt when the sadness that hovers beneath bears its face. The title of American Beauty does not refer to the aesthetic surfaces that shroud the concern of these people, but the beauty of their souls when dealing with that anxiety. Many reviewers have considered the title to be ironic, it isn’t. I’ve heard Kevin Spacey say that this film is about context, because taken out of context the behaviour of these characters seem bizzare and even phsycotic, but out with in the context of their messy lives or indeed anybody’s life, it seems natural. If I snort you that Kevin Spacey plays a character who is obsessed with the plan of sleeping with his daughter’s best friend, a daughter who constantly anounces her hatred of her parents, a woman so obsessed with appearances that happiness is but a memory to her, a loner who makes his living as a drug dealer with a firm rigid father living in denial about his son and himself, you would guess that there would be no one to like in this film. You would be heinous. This film is magical in the blueprint it lets identify with these characters, care for them and pains about their outcome. Infact the ideas of American Beauty are nothing novel. The persuit of happiness through the abanodoning of materialistic possesions and the satisfaction of primal, animal and natural desires was the actual same premise for Fight Club. This could be a middle frail version of that film. The family turmoil closely resembles Ang Lee’s The Ice Storm 1998, and like that film, American Beauty ends in tragedy. But as with all masterpieces its not the “point” that counts, but how you bag there. Unprejudiced like the fact that anything unique you learn in life is the history you don’t know, most originality in movies is the movies you haven’t seen and the novel’s you haven’t read. The fact that the film remains a masterpiece is a credit to the execution of those ideas, not their originality. Our hero is Lester Burnham a man who goes quits his job, shadowy mails his boss, and goes wild for a year. His stride of self-discovery is not what your average citizen would call good, yet we detached sympathise. My favourite scene in the film is where Lester meets Ricky(Wes Bently) outside a section. Ricky sells marijuana for a living and makes a lot of money. Lester tells him that when he was his age he “flipped burgers all summer long” for very microscopic money. “That sucks” says Ricky, “No actually it was astounding.” The heart of the film is this scene, Lester’s yearning for those years where his whole life was ahead of him, when he believed he coul do anything, when he wasn’t such a “loser”. This purity is the Beauty to which the title refers. Ricky Fitts is the boy next door, a loner who likes to film people. His father is a rigid military man. Both Wes Bently and Chris Cooper who play father and son respectively give monumental performance equal to Kevin Spacey’s oscar winner. Their family is a disagreement to Lester’s, and in its tragedy, emotional complexity and heart wreck exceeds it. Ricky’s catatonic mother is perhaps what Lester would have become had he not taken charge of his life. I have tried to interpret this film, but its not a film that can be defined. It is one to be experienced. If I roar that the peek of a paper bag blowing in the wind will amaze you, you accept it very droll indeed. Acredit then to this film that when Ricky demonstrate us a video of a paper bag blowing in the wind, it is indeed a breathtakingly resplendent seek.
“American Beauty” is a pure cinematic triumph that is both humorous and gloomy. It’s disturbing… and yet, it’s extremely spirited and deep. The film is an improbable achievement that reveals a tragic and realistic record about a family that is anything but ordinary. It’s a film with so many layers that it is almost impossible to dissect them all in one single understanding.
Meet Lester Burnham; a man who feels like he’s completely slow inside. His wife and daughter abominate him and do not reveal him any signs of respect. On the surface, the family seems like a picture-perfect family that everybody dreams about–but inside is a completely different matter. His wife is obsessed with material possessions and doesn’t care for “petty” things like care for or life, while his daughter resents herself because she isn’t “perfect.” Lester’s mental coma is rudely interrupted when he meets his daughter’s friend and starts fantasizing about her. The awakening might be due to a disturbing plan or feeling, but the wake-up call changes Lester and allows him to realize that there’s always time to erase his “forced-image” and be the person he really is. This is all a set-up for a laughable, disturbing and tragic movie.
I don’t know about everybody else, but my mind was literally racing around when this movie was playing before my eyes. It’s one of those films that allows you to hold up on something different upon each viewing. As I said in the beginning of the review, this film has a number of layers to it. There’s so many different meanings and points to the film that it is nearly impossible to relate them all in one tiny review. Besides, the fun fragment of the movie is discovering these meanings and points for yourself. You know a film is successful when you totally lose yourself to it and allow it to challenge you in every plan. The film is crafted flawlessly and doesn’t have a wasted small in it.
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The acting from Kevin Spacey is really a recognize to peer. He gives his character all of the correct needs and feelings that is notable for the authenticity of his role. You don’t even witness at him as an actor–but as the loyal person he portrays. It is certainly a milestone in his acting career that will continue to be remembered throughout all cinematic history. Annette Bening is also trustworthy in her role and brings life to her character, as well. Everybody in the film should be applauded, as they all compose the film what it is.
The DVD has some orderly features to offer. The describe quality is incredible and the sound is more than mountainous. You have the option of watching the movie in DTS if your system is able to play it. Extras included are commentary from the director and writer, a behind-the-scenes featurette, cast and crew biographies, trailers and more. While I wouldn’t had mind a Two-Disc edition of the movie, this is a magnificent impressive package overall.
“American Beauty” is a breath-taking masterpiece with a very high replay value. It’s a terrific film on every front and does not disappoint for a single second. While it’s not a movie that everybody will like, it’s most certainly one to check out if you are a lover of films. If you’re looking for something that isn’t so ordinary, then this may be the chance that you are seeking. I feel that it is a recent and worthy film that is very hard to thunder in words–you’ll impartial have to experience it for yourself. -Michael Crane
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All 4 of these movies are flipper discs (1 per movie) with a choice of fullscreen or widescreen wiewing. Fullscreen on one side and widescreen on the other. If you have a Dolby Digital surround sound system then your in for a exact treat for two of the four films in this position.
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The Culpepper Cattle Company is in mono with an optional wide spaced (fraudulent stereo) soundtrack that can be chosen from the language menu.
The Proud Ones is in 4 channel stereo sound. 2 in front & 2 in the rear.
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Broken Lance. 4 channel stereo with 3 across the front & one surround channel in the rear.
Forty Guns has a choice of the modern mono soundtrack or a wider spaced spurious stero one. Movie defaults to mono unless you resolve the stereo soundtrack in the language menu.
This was a xmas display for my fater-in-law. He loved it.
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Hollywood narrative Alice Faye was at the peak of her career when she made this costume musical drama. She is knockout in all her numbers, particularly so in the title song, and “Doin’ the Grizzly Hold.”
In this one, she is reunited with one of her favourite co-stars, the darkly-handsome John Payne, and the comedy relief comes from former timer Jack Oakie, and June Havoc, who was the character Baby June in the musical “Gypsy” – the sister of the illustrious Gypsy Rose Lee, who walked out on Mama Rose while a teenager to gain fame in Hollywood! A tuneful musical, beautifully photographed in Technicolor. Miss Faye never looked lovelier.
I reflect so! Such song and dance ladies as Garland,Rogers,Hayworth are all remarkable better known today for some reason. I admit this may be my first Faye movie ever, and I practically never heard of her until I read her obituary a few years aid. (She lived well into her 90’s) ..Anyone watching this one must admit that Alice stands honest alongside the top ladies mentioned, and then some! Objective about perfect in this role of a lovelorn vauville performer in turn of the 19th century San Fran. The tune “You’ll Never Know” is about perfect, not to mention many others, including a high flying Dutch Roller Skate number that is legal up there with Olympic material! So check this out ASAP. Also,it’s in 1943 technicolor..This one has astronomical acting, dancing, singing,stage sets, a whirlwind tour thru Europe, and about anything else you can question in a astronomical musical. The yarn line may be corny and old-fashioned hat, but that may be suitable for about any movie musical!
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This DVD is as qualified as the previous in the T.V. series. While the OVA was awesome, perhaps those relying on that series needs to change their point of opinion. Although the packaging admittedly appears to report the ladies as ho’s, I bear the series continues to be refreshing, both in it’s treatment of the female psyche and it’s basic embracement of play in genre.
I have to say that I looked forward to this DVD alot. I was slightly disapointed with Yomiko’s lisp. I know that it has been a few years but what is with the british accent. I am hopeing that it unprejudiced her depression over her fresh plot and it gets better as the series progresses. Over all this series keeps you on your toes. It is very scrumptious.
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I was barely a tween when I saw this film on TV in the early 1980’s. I unexcited seize making a mental notice of how hot the leading man was (at that time Mel Gibson was yet to become a household name) . And so, I could not resist this retract, especially given the outrageous label of the DVD.
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Well, Mel Gibson is aloof hot (in the movie; in sincere life, not so powerful) ; Piper Laurie – piping HOT! (who knew!? that woman had some body on her!) ; the chronicle – as sugar sweet as I remembered it…The chronicle must have been trully revolutionary by the 1970’s standards: a mentally tiring, man in his 20’s and an educated and independent woman in her 40’s drop in adore. Though its telling is a bit stiff and naive, the questions the story raises are relevant to any unusual couple (mainly: can a relationship work, when the control is so steeply tipped toward the female? ) . Since I am not aware of many of such parings in accurate life, I am certain this treasure memoir may serene build some unfortunate. Nonetheless, I bask in it for the uplifting factual which teaches us that worship conquers all and is above the judgement of those outside of the two people interested. Not always so in accurate life, but that is precisely what movies are for!
Enjoy!
PS: Look out for the typically 70’s maternity moomoo musty by Tim’s pregnant sister…Oh, the fright! Thankfully for all pregnant women today, maternity fashions have improved since then!
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Made the same year as Exasperated Max Aroused Max (Special Edition) burst on the scene, Tim is based on a account by Colleen McCullough The Thornbirds about a May-December relationship between a 40-something professional woman (Piper Laurie) and her 23-year stale mentally tiny but hunky yardboy (Mel Gibson) . The residence is obliging of the Lifetime channel but Ms. Laurie and Mr. Gibson are really improbable and the supporting cast which includes respected Australian actors Alwyn Kurts and Pat Evison transcends the simplistic and slightly pervey script.
This film was made so like a flash and cheaply, I don’t absorb they even did second takes. Happily, the 30th anniversary edition has been remastered so it is a distinct and watchable print and re-edited to include a couple of deleted scenes.
Of course, the sincere attractions are Gibson’s blooming blue eyes, cute accent and his character’s charming innocence. The director shamelessly (yes!) exploits hot young Mel’s physical attributes by requiring him to accomplish most scenes in very short shorts or wear skimpy blue swim trunks to the beach (while Piper is practically clad a burka!) and he looks quite heavenly in a white dress suit in one pivotal scene. His consuming performance here makes one dark to contemplate the buffoon into which he has evolved.
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Is Anybody There? Review.
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“Is Anybody There” is a 2008 production of British Broadcasting Corporation Films that has achieved a theatrical, art house release in the United States. It runs 95 minutes, was written by Peter Harness, directed by John Crowley, and stars that astonishing actor Michael Caine.
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It is plot in 1980’s seaside England: it looks/sounds like the North of England to me, and concerns the interactions of Caine, playing the Astounding Clarence (Parkinson), retired magician, unwillingly taking up place in an aged people’s home; and Edward (Bill Milner), an current ten year venerable boy who’s fascinated by death, and well-placed to investigate that fascination, as he’s growing up in the musty people’s home that’s urge by his parents.
Anne-Marie Duff plays Edward’s Mum; David Morrissy, his Dad. The home is populated by a veritable stock company of illustrious older English actors: considering the prevalence of plastic surgery, they might well have been made-up to gaze older, as Caine might have been. (The man seems to have no personal vanity.) They include Rosemary Harris as Elsie, Leslie Phillips as Reg, Elizabeth Spriggs as Prudence (it was her last represent) ; Sylvia Syms as Lilian, and that North of England stalwart, Peter Vaughan, as Bob. Speaking of which, you can chop the North of England accents in this characterize with a knife: subtitles would certain have been respectable. Despite which, the acting is uniformly very salubrious.
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Conservative Margaret Thatcher was Prime Minister in the 1980’s, and this film is apparently situation on her watch; it might have had some political thoughts. Thatcher’s governance was famous for mammoth, although costly in human terms, improvements in the British economy, and I’m a itsy-bitsy surprised to survey this setting of the family-run nursing home at that time. At one time, these live-in family nursing homes were not uncommon: a family impartial had to score a huge archaic house — they were not too favorite, then — and some conventional people to bear the rooms, and they had a living. During the time of my English exile, I actually knew such a family: they had to witness after 24 dinky obsolete ladies. It was always 24 breakfasts, 24 dinners, 24 teas. I wouldn’t have concept this business model had lingered into the 1980’s; but times have always been harder in the North of the country than the South, and perhaps it did linger in the North.
Let’s face it; the subject matter makes this movie a downer. The thing about getting weak is, you generally come by sick, physically and/or mentally; you lose your looks, your job, your loved ones, and your friends; you accumulate lonely, and then you die. There is some cheerfulness and hope in Caine’s relationship with the boy; but this movie is certainly not going to be everybody’s cuppa. The best reason to examine it is, of course, Caine, a worthy actor and a thrifty one, who can do a lot with a microscopic. And he did give a bit of a nod to his exact, longtime fans: at one point he’s explaining to the boy why his marriage broke up, and he says,” I couldn’t decide down. I was very good-looking then, and I couldn’t maintain it in my pants.” Well, hello, Alfie: some of us remember unbiased how he looked then. For us, I give the movie an extra star.
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