Canon Speedlite 270EX Flash for Canon Digital SLR Cameras Description:
Perfect for expanding your creative options on compact cameras and entry-level EOS DSLRs, Canon’s Speedlite 270EX adds power and flexibility for enhanced flash photography anywhere. Light, compact and small enough to fit in your pocket, Speedlite 270EX features 2-step coverage for 28mm and 50mm focal lengths, plus a highly useful bounce-flash function for amazingly easy, polished results. An indispensable complement to your Canon camera, Speedlite 270EX is a perfect extension of your photographic genius.
- Brand: Canon
- Model: Speedlite 270EX
- Number of items: 1
- Dimensions: 5.00″ h x 6.00″ w x 5.00″ l, 1.00 pounds
Features
- Compact, lightweight design – ideal for compact PowerShot cameras (G-series and select SX-series) and EOS Rebel class cameras
- 28mm and 50mm. 2-step Coverage Angle Selection
- Bounce feature for an even greater range of picture-taking options
- Simple set-up using the camera’s rear monitor
- Color temperature communication
Customer Reviews:
Nice option for those wanting “a little more”
The 270EX is a simple, two AA battery flash that should be perfect for someone wishing to add a bit more power or bounce to an digital EOS camera, or one of a few Powershots with a hot shoe.
The flash is very small, and balances well on cameras like the Powershot G10. I did most of my flash evaluating on a Rebel T1i, and was pleased with the handling of the duo.
The flash has almost nothing to set for increased power. Slide it on, turn it on, take pictures. Unlike fancier flashes, there is no power zoom flash panel, but you can manually set the flash to get a bit more distance with telephoto lenses by simply pulling the flash head out a notch.
If you want to make your closeup shots a bit less harsh, pull the head out (as per above), and you can tilt the head of the flash up at different angles to bounce the flash. My simple test worked very well, with much more pleasing skin tones (although bouncing does seem to lose, on all flashes, some of the whites of the eyes).
Compared to more expensive Canon flashes, several features are missing. Most notably is a sophisticated (such as a pattern) focusing assist system to help the camera’s AF in low light or low contrast shooting. Additionally, don’t expect advanced features like wireless flash, High Sync, etc.
Thus, the 270EX is great for anyone wanting a bit more powerful flash, adds bounce, and is in a nice, small, package.
270ex Compact marvel
I purchased this flash for my new (and awesome!) Canon 5D Mark II. Most of the time, the Mark II can handle indoor and low lighting conditions without any issue; it’s quite usable up to 3200 ISO. Still, even in RAW mode it can’t handle all lighting conditions as it doesn’t have an onboard flash. I like using flash for fill lighting especially for shooting flowers and insects. That’s where the 270ex comes in as a carry around flash. The most surprising thing was how small and light it is; it really does fit in a shirt pocket. It powers up and is ready much faster than I expected considering it just takes 2 batteries. Considering the low profile, the forward angle of the build helps to eliminate lens shadows on long lenses. Still, it isn’t without some faults; it isn’t the build quality of a 580ex or 430ex. It also isn’t the widest coverage I’ve seen on a flash with just 28 & 50mm settings. Still it’s pretty great considering that it isn’t supposed to be a replacement for a 580ex II.
Pros
*Light & small, fits in a shirt pocket
*Forward tilt angle doesn’t cause lens shadow on a 24-105IS when fully extended
*Usable bounce angles
*Takes just 2 standard AA batteries
*Fast flash recharge
*Quite operation; way better than my 430ex Speedlite
*Good color temperature, not too blue
*Simple foot lock switch
*Easy operation with both the 5dII and 9G
Cons
*Less impressive build that more expensive Canon Speedlites
*So-so flash coverage when lens is 24mm or wider
Nice, but all features do not work on Rebel XTi
Nice flash, better than the built-in pop-up flash on my Rebel XTi. However, the AF-assist on the flash will not work on an XTi, even with the lastest XTi firmware. I didn’t know this before buying and will may return the flash.
Update (7/22/09): I’ve decided to keep the 270EX after all. The compact size is the main reason why I’ve decided to keep it. I will just have to compromise and put up with using my built-in flash instead in those really low light situations where I want to auto-focus.
For those that do not know, the AF-assist feature in the 270EX is supposed to help in low light situations where there isn’t enough light for auto-focus. The 270EX works in the same way as the XTi’s pop-up flash in that it fires a few bursts in order to help auto-focus.
I don’t know why Canon had not decided to offer a firmware upgrade to support the 270EX, especially since the XTi is still displayed on the Canon USA cameras page.
From the Manufacturer
Perfect for expanding your creative options on compact cameras and entry level EOS DSLRs, Canon’s new Speedlite 270EX adds power and flexibility for enhanced flash photography anywhere. Light, compact and small enough to fit in your pocket, the Speedlite 270EX features 2-step coverage for 28mm and 50mm focal lengths, plus a highly useful bounce-flash function for amazingly easy, polished results. Powered by 2 AA batteries, Speedlite 270EX is easily set up and controlled through your camera’s menu system (with select models), communicates color temperature information with your camera for optimal white balance and recharges silently in less than 4 seconds. An indispensable complement to your Canon Camera, Speedlite 270EX is a perfect extension of your photographic genius.
Speedlite 270EX Highlights
- Compact, lightweight design with 2 AA batteries; ideal for compact PowerShot cameras (G-series and select SX-series)
- 28mm and 50mm. 2-step Coverage Angle Selection
- Bounce feature for an even greater range of picture-taking options
- Simple set-up using the camera’s rear monitor
- Color temperature communication
- Optimized recycling time (approx. 0.1 to 3.9 seconds)
- Quieter charging
- Easy storage soft case
Tommy Davis’ first feature-length documentary casts light on a major dilemma in America today: illegal immigration. It is an economic pickle, insofar as the US economy depends upon cheap illegal labor. It is a human rights stutter, insofar as thousands die and more suffer every year entering the US in search of a better life. And it is a political quandary, insofar as making the borders more, less, or equally porous is opposed by some faction or another.
Buy,Download, Or Stream Mojados – Through the Night! Click Here
That what unfolds on hide is illegal, genuinely uncertain, and previously unseen by anyone but those who have made the trail, gives the film the irresistible allure of transgression, risk, and voyeurism. Davis’ hushed narration throughout the film conveys the mortal seriousness of the subject. And the music of Sin Panache fits each scene like a glove, giving divulge to the emotions along the draw.
The news clip toward the kill is a masterful touch, highlighting how very current such events are. The impersonal newscast contrasts sharply with the very personal film, as if Davis is criticizing the frigid manner in which the sigh is normally depicted.
Buy,Download, Or Stream Mojados – Through the Night! Click Here
Davis’ film is not propaganda, nor is it one-sided, as some xenophobes have claimed. It has won so many awards because it is a timely, heartfelt portrait showing the human face of a previously impersonal political instruct. Davis should be commended for bravely highlighting an all too ignored boom – and all the more for doing it so well.
Some might beget that this film is pro immigrant. I’m not so clear I agree with that concept. While I respect different opinions on the boom, I own the director has created a film that is not propaganda or pro one side of the sing or another. Davis simply shows the migrants perspective of illegally immigrating to the United States; the why and the how? I maintain the footage and information that Mojados offers is key to opinion the root of the insist, and can’t be seen anywhere else. Migrants risk their lives and go through brutal life-threatening terrain to advance to the United States and for the most fragment work hard and contribute to our society and economy. They leave their families leisurely in order to eventually approach wait on to them with money and hopes for a better life. While the natural result of the film may near off as sympathetic to illegal immigrants, it’s based on the fact and humanity of the declare.
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Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Description:
80-200mm D-Series Zoom lens for Nikon cameras
- Brand: Nikon
- Model: B00005LEOH
- Dimensions: .0″ h x .0″ w x .0″ l, 5.00 pounds
Features
- Superb 2.5x telephoto zoom for sports, portraits, and nature photography
- Fast and constant f2.8 maximum aperture through the entire focal range
- ED glass elements for high-resolution and high-contrast image even at maximum aperture
- Rotating zoom ring for precise zoom operation
- Nikon Super Integrated Coating ensures exceptional performance
Customer Reviews:
a must own
This lens is THE lens to own if you want to shoot indoor sports. The newspaper I work for has me out on a lot of volleyball, hockey and basketball beats, and this lens does not come off my camera. I have taken this lens out to soccer games and baseball games but use it mainly as back up. If you want to shoot these sports you’ll want something up in the 300-400 range. Soccer especially.
The 2.8 aperture is a must for these low (and orange/brown) light situations. I was using a 200mm f4 but fell just short of being able to freeze the action perfectly without any blur. The little bit of extra light makes a world of difference.
I shoot with a D80 and find that I can keep my ISO down around 400 and be very comfortable with the results. In my situation (newsprint) I could go as high as 800 and be alright with it, but the glass in this lens lets me keep it low.
If you are in the fence, pick this lens up. For under 1000 bucks you can’t beat it. It’s ultra wide, and doesn’t lose any sharpness at 2.8.
The only situation where you should not buy this lens is if you own a D40 or D40x. These bodies will not support the AF function of this lens, and seeing as how this is a great medium tele sports lens, not having AF would make this lens a bust.
They make a version with a built in motor that will communicate the D40 and D40x but it’ll cost you close to 800 more.
As a side note this lens is heavy (as are most 2.8 tele lenses) There is a lot of big glass in this lens and after an hour or so of shooting hand held you will really want a mono pod. This lens has a great tripod shoe, so don’t be afraid to throw it up on mono and go to town, your arms will appreciate the help
One final note. If you are undecided about this lens because it does not have any sort of optical stabilization or vibration reduction consider what you will be using this for. If you are shooting sports or action you wont need and it wont use it. If you are shooting from a tripod or good mono pod, you wont need and wont use it. The VR is only good in handheld situations when the object you are photographing is stationary.
This lens is a 5 star lens
Sharp and fast, heavy and slow
This is a top-notch lens, tack sharp and fast (f/2.8) across it’s entire zoom range. The built-in tripod collar will save a lot of stress on your camera mount, you’ll see why when you lift this sucker – it feels like a brick. On the downside, auto-focusing can be a little slow. If you have an older camera body with an underpowered auto-focus motor it may not be able to keep up with a fast moving target. My N90s can handle it pretty well, but I don’t do many action shots. If you shoot sports or other fast action, you should consider the AF-S version. It’s internal motor eases the load on the camera and improves focus speed, but make sure you’re body can use AF-S lenses.
If you’re a casual photographer who generally uses fast film, this lens is probably overkill. If you’re very serious and shoot slow film, it will help you squeeze out every stop possible. The wide aperture is also great for minimizing depth of field, very useful if you shoot through wire at the zoo and for isolating subjects against a busy background (think great portraits). If you do get it, do yourself a favor and get a good monopod, your arms will thank you! I can’t stress enough that this thing is *HEAVY*!
Best value Nikon professional telephoto lens. Great for sport, action, wedding, and low-light photography
Nikon 80-200mm f/2.8D ED AF Zoom Nikkor Lens is a very good quality lens. It’s fast (fixed f/2.8), solid (built like a tank), produce great quality image, and priced very reasonably for a professional grade telephoto lens.
Having said that, there are some additional features that would be nice to have for this lens such as image stabilization, more silent autofocus (AF-S), and shorter minimum focus distance but those features will make this lens a lot more expensive (as those feature is included in the Nikon 70-200mm f/2.8 AF-S VR lens). If budget is not an issue, then I would recommend the 70-200mm f/2.8 AF-S VR (the Vibration Reduction technology and faster and more silent focus are very useful) or the 80-200mm f/2.8 AF-S (which has faster and more silent focus). If large aperture (fast lens)is not your main requirement, then you can get the 70-300mm VR (at a lower price)
There are several version of 80-200mm f/2.8 lens, and the latest one (non AF-S model and that Nikon still produce as of 2009) is the two ring model. The one ring push pull model is also good quality lens (solidly built and produce great image quality) but autofocus is much slower. If budget is an issue, the older push pull model would still be a good choice too.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here’s my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
FYI: This lens will not autofocus with Nikon D40, D40x, D60 or D5000.
Pros
1. Great quality lens (very sharp pictures. 3 of the glasses made/coated with ED technology)
2. Very fast (fixed f/2.8 throughout the zoom range)
3. Very reasonably priced (compared to 70-200mm f/2.8 AF-S VR and 80-200mm f/2.8 AF-S)
4. Built to last. Very solid
5. Great for sport, action, wedding and low-light photography
6. Uses standard 77mm lens filter
7. Bokeh is very nice at f/2.8
8. Autofocus much faster than the older 80-200mm f/2.8 model (the push pull version)
9. The price is very stable (I bought mine several years ago and I could still sell it at the same price today)
10. With non full frame Nikon DSLR, the focal length becomes 120-300mm equivalent (nice reach). you can get Nikon 80-400mm for more reach but that lens is not fixed f/2.8).
Cons
1. Heavy at 2 lbs 14 oz or 1.3kg. (Good arm exercise 
, or using tripod or monopod would be nice)
2. Autofocus not as fast and silence as the AF-S model (70-200mm f/2.8 AF-S and 80-200mm f/2.8 AF-S), but the autofocus limiter switch improves autofocus time
3. Tripod collar is too close to the zoom ring (you can remove or adjust the tripod collar though)
4. Thread for the filter can be better (it’s made of plastic)
5. Lens hood is sold separately (highly recommended to reduce flare and internal reflection)
6. More expensive than Non-Nikon (sigma, tamron etc) brand alternative (some comparable price but they have faster and silence focus)
7. Lens could jump around a bit during autofocusing if you are not strong enough (due to the glass moving fast as the lens autofocus)
8. No Manual focus override mode on Autofocus mode
9. No Macro mode (can’t be use for macro shot). closest focusing distance is quite far
10. No VR (Vibration Reduction), which will help a lot for this type of lens (heavy and telephoto)
In conculsion, if you are looking for a Nikon professional grade telephoto lens that is reasonably prices, you can’t really beat this Nikon 80-200mm f/2.8D ED AF Zoom Nikkor lens. This lens is really good choice for sport, action, wedding, low-light, indoor photography.
Happy Photographing!
Sidarta Tanu
Manufacturer Description
Lens-making is an art–Nikon artisans craft Nikkor optics from the finest materials, taking pride in adding their intellect and technique to bring the world’s finest lenses to life. They push the leading edge of lens-making in their effort to provide the “glass” that makes the world’s greatest pictures.
AF Nikkor lenses work with Nikon SLRs for optimal performance, even the very latest. The Nikon 80-200mm f2.8D ED AF is a superb 2.5x telephoto zoom for sports, portraits, and nature photography. With a fast and constant f2.8 maximum aperture through the entire focal range, ED glass elements provide high-resolution and high-contrast image even at maximum aperture. The rotating zoom ring provides precise zoom operation.
ED glass: An essential element of Nikkor telephoto lenses
Nikon developed ED (Extra-low Dispersion) glass to enable the production of lenses that offer superior sharpness and color correction by minimizing chromatic aberration. Put simply, chromatic aberration is a type of image and color dispersion that occurs when light rays of varying wavelengths pass through optical glass. In the past, correcting this problem for telephoto lenses required special optical elements that offer anomalous dispersion characteristics–specifically calcium fluoride crystals. However, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens’ refractive index. So Nikon designers and engineers put their heads together and came up with ED glass, which offers all the benefits and none of the drawbacks of calcium fluorite-based glass. With this innovation, Nikon developed several types of ED glass suitable for various lenses. They deliver stunning sharpness and contrast even at their largest apertures. In this way, Nikkor’s ED-series lenses exemplify Nikon’s preeminence in lens innovation and performance.
Nikon Super Integrated Coating ensures exceptional performance
To enhance the performance of its optical lens elements, Nikon employs an exclusive multilayer lens coating that helps reduce ghost and flare to a negligible level. Nikon Super Integrated Coating achieves a number of objectives, including minimized reflection in the wider wavelength range and superior color balance and reproduction. Nikon Super Integrated Coating is especially effective for lenses with a large number of elements, like our Zoom-Nikkors. Also, Nikon’s multilayer coating process is tailored to the design of each particular lens. The number of coatings applied to each lens element is carefully calculated to match the lens type and glass used, and also to assure the uniform color balance that characterizes Nikkor lenses. This results in lenses that meet much higher standards than the rest of the industry.
Distance information
D-type and G-type Nikkors relay subject-to-camera distance information to AF Nikon camera bodies. This then makes possible advances like 3D Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash. Note: D-type and G-type Nikkors provide distance information to the following cameras: Auto exposure; F6, F5, F100, F90X, F80, F75, F70, F65, F60, F55, F50, Pronea S, Pronea 600i, D2 series, D1 series, D100 and D70s/D70. Flash control; F6, F5, F100, F90X, F80, F75, F70, D2 series, D1 series, D100, and D70s/D70 cameras.
What’s in the Box:
Lens, 77mm snap-on front lens cap, rear lens cap LF-1, flexible lens pouch CL-43A.
No artist in history has touched as many lives as Michael Jackson. That’s evident in this documentary film shot at his memorial service in Los Angeles. The film focuses on the fans that came from all over the world to be arrive MJ and say goodbye. Sharing their stories about Michael, how he impacted their lives and what his music meant to them. Very personal accounts from exact fans, remarkable different than the rehearsed speeches we’ve all seen on TV. If you couldn’t be there in person at Staples Center, this is the next best thing. A huge design to remember the man and his music. Highly recommended.
Incredibly depressing and uplifting at the same time. Don’t even bother to try to withhold from crying. Not only does it indicate how many fans he had, but objective how distinguished he touched the lives of so many people on a personal level, people he never met and knew existed. What I like about it is these are objective regular people, unbiased like me and you and we all have one favorite bond in Michael Jackson and that we were fans and loved and cared about him.
Buy,Download, Or Stream Michael Jackson: A Farewell to the King of Pop! Click Here
I can’t even stand to explore the word “Farewell” in relation to him. But if you are smooth very emotional over his passing I reflect this will give you that “You Are Not Alone” feeling and it will perform you feel grand to be among people who feel the same plot. I have been a fan since “Off the Wall” since I wasn’t around for J5, but I became a fan after that fact. My fandom for him only got bigger. I’m grateful I lived in an era to gape him and be alive in this world with him, and to watch a correct Epic. I will never, never, ever forget him. I miss him so noteworthy. We fans will hold his spirit alive for many years.
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